SEMIOTICS
Roland Barthes
• He is
a remarkable essayist; as a philosopher and semiologist, a
keen observer of the society and an incisive critic of its cultural text.
• His
thinking was strongly influenced by the work of Swiss linguist Ferdinand de
Saussure, who coined the term semiology and advocated its study.
• He was
highly influenced by Ferdinand de Saussure’s semiology throughout his life and
thus, began to develop his own complex theoretical concepts that became central
to a number of schools of thought in France and Europe.
SEMIOLOGY (SEMIOTICS)
• “the
discipline studying everything which can be used in order to lie, because if
something cannot be used to tell a lie, conversely it cannot be used to tell
the truth; it cannot, in fact, be used to tell at all.”
• Anything
that can stand for something else.
• Study
of signs, symbols, and signification.
• MYTH
– the connotative meaning that signs carry wherever they go.
• Barthes
initially described his semiotic theory as an explanation of myth.
Jollibee is an example of semiotic theory.
Let us admit that when we see this picture from above, we come think of a fast food restaurant instead of a literal bee.
• A Sign is a combination of a Signifier and Signified.
• SIGN
– the inseparable combination of the signifier & the signified.
• Signs take the form of words, images, sounds, odours, flavours, acts or objects,
but such things have no intrinsic meaning and become signs only when we
invest them with meaning. (Chandler, D. Semiotics for Beginners).
• SIGNIFIER
– the physical form of the sign as we perceive it through our senses;
an image.
• SIGNIFIED
– the meaning we associate with the sign.
• Barthes’
description of a sign as the correlation between the signifier and the
signified came directly from Saussure.
SIGNIFIED
SIGN
DENOTATIVE SIGN SYSTEM
• A
direct meaning
or set of meanings of a word or expression, as distinguished from the ideas or
meanings associated with it.
• A
descriptive sign without ideological content.
• Denotation
is literally what you see (description)
• What
the sign stands for.
CAR denotes a VEHICLE.
TWIN TOWERS denotes NEW YORK.
CONNOTATIVE SIGN SYSTEM
• A mythic sign that has lost its historical referent.
• A form without
substance.
• The associated or
secondary meaning of a word or expression in addition to its
explicit or
primary meaning.
• Represents the
various social overtones, cultural implications, or emotional
meanings.
CAR denotes FREEDOM
RED denotes PASSION, DANGER,
COMMUNISM, LOVE, BLOOD
DECONSTRUCTION
• The process of
unmasking contradictions within a text.
• Debunking.
• Contradictions can be
identified within texts.
• Texts do not 'mean
what they say'.
• Does not seek to destroy, rather it
points out the limitless instability of language.
• Complex process
because meaning is contextually determined and since contexts are always
changing meaning becomes indeterminate.
GOOD IS GIVEN THE PRIORITY OVER EVIL
BUT THE FACT IS THERE CAN BE NO "GOOD"
IF THERE IS NO "EVIL" OR VICE VERSA.
IDEOLOGY
• Knowledge presented
as common sense or natural, especially when its social construction is ignored
or suppressed.
• Constructs people
as subjects through the
operation of codes.
• Understanding
the meaning of
a text involves taking on an appropriate ideological identity.
• A system of
representation involving 'transparent myths' which functioned to induce in the
subject an 'imaginary' relation to the 'real' conditions of existence.
CHRISTIAN FAITH as an ideology.
We find the bible stories presenting moral values as goals to be achieved.
CHARLES
PEIRCE:
TRIADIC ALTERNATIVE TO SAUSSURE & BARTHES
• Developed his triadic
model of signs
• Suggested that a sign
has three components
• OBJECT:
Something beyond the sign to which the sign refers.
• REPRESENTAMEN:
The sign vehicle or the form that the sign takes.
• INTERPRETANT:
The sense of the sign made in mind of the interpreter.
Posted by:
Renz Cristina Garbin
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